Face Blind: 0.5, 1, 2, 4, 16 ~ Wood Sculpture

I do better carving images of people than talking to them.

“Face Blind” means I don’t recognize people I’ve met.  I usually ignore them because I don’t know who they are.  They, of course, know who they are, know me, and they really don’t like to be ignored.

face blind multiples with eyes, without noses, mouths or chins
Face Blind: 0.5, 1, 2, 4, 16 — wood sculpture by Peter Neibert 2013. click on photo to enlarge.

That’s what I show in my “Face Blind” sculpture — my multiple face blind images 0.5, 1, 2, 4 & 16 at left and below.

My face blind carving shows faces with foreheads, eyes, glabella (upper bridge of the nose), upper cheeks but no nose, mouth or chin.

Brainy people  tell us the nose, mouth and chin are key to the brain, that the brain uses these features in combination to recognize other people (and, yes, oneself).

Except sometimes it doesn’t work.

This brain disability is called prosopagnosis, its simple name is “face blindness.”

Figures carved in my multiple sculpture show no noses, mouths or chins — by now, the meaning is intuitively obvious to the casual observer (you).

But the progression in sizes, 0.5, 1, 2, 4, 16 … what’s happening there?  Let your brain work on that.

face blind multiples with eyes, without noses, mouths or chins
Face blind image 1 with forehead, eyes, nose bridge and upper cheeks.

 

 

 

 

 

 

 

Author: Peter Neibert

I carve stone & wood sculpture, and photograph ikebana, pictographs, landscapes and my own sculptures. I browse my images on screen until one of them speaks to me. Then I work-up something in Photoshop. Often, I do nothing with it for a long time -- perhaps until another browsing trail leads me back to it. So, it might become a simple inkjet print, or a Photoshop project, or a carving -- often I take pictures of the work-in-progress, and work them into the progress of the work. My studio is in Kentfield, California.

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